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For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WS3978 Source A related resource from which the described resource is derived 3-2007QueenLear Title A name given to the resource DSC_6596 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available West Shore Community College Subject The topic of the resource Queen Lear Performance March 2007 Performance https://wsccarchives.org/files/original/1bd480d2642ebcd3f756916342313fe1.jpg 0eedd6ce7026f6e4b45cebaaa2b891d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Media Description An account of the resource Photos, slides, negatives, audio clips, and other media. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WS3988 Source A related resource from which the described resource is derived 3-2007QueenLear Title A name given to the resource DSC_6637 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available West Shore Community College Subject The topic of the resource Queen Lear Performance March 2007 Performance https://wsccarchives.org/files/original/230528bbaf60e4f70a36fa995fd0b837.jpg b07bf1e12f378a71fd7a1a1753967664 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Media Description An account of the resource Photos, slides, negatives, audio clips, and other media. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WS3994 Source A related resource from which the described resource is derived 3-2007QueenLear Title A name given to the resource DSC_6651 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available West Shore Community College Subject The topic of the resource Queen Lear Performance March 2007 Performance https://wsccarchives.org/files/original/1d384ce97afee6308760c41ccc51dc1b.jpg 88227a36aa4d7c9de7409e491eab8834 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Media Description An account of the resource Photos, slides, negatives, audio clips, and other media. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WS3995 Source A related resource from which the described resource is derived 3-2007QueenLear Title A name given to the resource Jenna Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available West Shore Community College Subject The topic of the resource Queen Lear Performance March 2007 Performance https://wsccarchives.org/files/original/12d6f5e06e46be4b82b77eda2ba333fa.pdf 25220bb660018f047351acc338021c7c PDF Text Text 2006-2007 WSCC FOUNDATION CULTURAL ARTS FUND DRIVE W S C C P E R F O R M I N G A RT S S E R I E S P R E S E N T S THE WORLD PREMIERE OF SPONSORS $5,000+ PLATINUMBank • Yellow Book USA West Shore $3,000+ GOLD SPONSORS • Ludington Daily News DTE Energy Foundation SPONSORS $1,000+ SILVER Mansion Bed & Breakfast and Conference Center • Gockerman • Wilson • Saylor & Cartier Hesslin PC • Lake Osceola State Bank • Meijer • Inc. • Metalworks • Inc. • National City Bank • Northwestern Bank $1,000+ INDIVIDUAL SPONSORS - SILVER Don & Jolly Birtwistle • David & Christine Hall • Milan & Dorothy Reed $500+ BENEFACTORS • Interim Associates Counseling/Patrick S. McFarlane DCSW/LMSW/LLP Fifth Third Bank DIRECTOR’S CIRCLE LIFE MEMBERS $5000+ Jim Frost & Amy Trebilcock • Robert Trebilcock & Marion Carol DIRECTOR’S CIRCLE & Valarie Bergstrom • Judy Don & Jolly Jack & Janet Bulger $500+ Mark & Kelly Burwell • DeanHeinz & BuschBertram&•Jane CarpenterBirtwistle&•Arlene Chinworth • • Vic & Joan • Bill • Herb Robert Claflin • Hank & Marty Cupp • Jean Deal • Charles & Rosemerie Dillon • Alan & Annette Doerr • Mike & Sue Ennis • John Feliczak & Ann Linski • Curtis Frost • David Gabrielson & Vicki Rapp Gabrielson • Kent Gage & Peg Haskins Gage • Lloyd Gearhart • Roy & Sue Hackert • David & Chrissie Hall • Debbie Hannig • Pete & Sherry Heyse • Jim & Jeanne Holzbach • Ray & Lois Janish • Jim & Judy Jensen • Bob & Linda Johnson • Greg & Harriet Jones • Jim Kieszkowski • Daniel King & Kelly Aloe • Roger & Connie Krusniak • Kang Hoon & Inja Lee • Barbara Maclean • Bob & Kay Neal • Fred & Sarajane Ockerlund • Chuck & Glenna Paukstis • Bill & Marty Paine • Tom & Laura Paine • Andrew & Jennifer Peterson • Jim & Marilyn Pinkerton • Rick Plummer & Christine BanholzerPlummer • Dick & Alison Puffer • Rick & Mary Ann Randall • Jack & Shirley Rasmussen • Milan (Bud) & Dorothy Reed • Milan S. (Budde) & Sheryl Reed II • Jim & Sue Riffle • Jurgen Schnepel & Carolyn Clardy Schnepel • Lee & Joan Schoenherr • Shirley Smedley • Larry & Julie Snyder • Ann Stahelin • Jerry Svendor • Mike & Maria Urka • Tom & Lorraine Van Buren • Shirley Wenger • Karen Worten $300+ PATRONS Bill & Anna Anderson • Henry & Delores DeGood • Bruce & Jennifer Micinski $100+ SPONSORS Dean & Doris Anderson • Stephen & Brenda Begnoche • Robert & Michal Brody • Keith & Ruth Crompton • Wilson & Valoyce Dean • Dennis Fast • Leonard & Beverly Gavigan • Jack & Phyllis Hayden • Lynn & Diana Hoepfinger • Harold & Virginia Madden • Sam and Kay Miller • John & Joan Nelson • Betty Noteware • Vicki Oddo • Wilma Paulus • Donald & Audrey Strouf • William & Barbara Vaughan $1-$99 FRIENDS J. Dean & Maureen Gustafson • Elizabeth Harrison • Tim & Debbie Heinrich • Arlen & Marcie McCloskey • Robert & Carla Ohse • Charles & Janet Pollard Significant public relations and advertising opportunities accrue to our Platinum ($5,000) • Gold ($3,0004,999) and Silver ($1,000-2,999) sponsors. The Director’s Circle members are individuals or couples that support cultural arts at $500 or more and are invited to participate in unique opportunities. A Celtic Tragedy Adapted from Shakespeare Adapted & Directed Rick Plummer Costume Design Nancy Estola Lighting & Scenic Design Thomas Davis Wigs & Makeup Sharon Steward Dramaturge Tandy Sturgeon Music Arrangement & Piping (based on traditional Irish folk music) Séan Henne Sponsored in part by �CAST Queen Lear _______________________________________ Chris Plummer Cordelia __________________________________________ Kathleen Dillon Lady Kent ________________________________________ Natalie Gigante Lady Gloucester __________________________________ Cynthia Maguire Edgar _____________________________________________ Cody Hodges* Edmund ____________________________________________ Matt Dutton* Regan __________________________________________ Margretta Dumas Duke of Cornwall _______________________________________John Gerts Goneril ____________________________________________ Kathy Hansen Duke of Albany ____________________________________ Charles Dillon Fool & Warrior ______________________________________ Dee Payment Oswalda ______________________________________ Rebecca Parmentier King of Brie _____________________________________________Al Harris Duke of Celtica & Warrior __________________________ Elliot Plummer Curan, Captain, Messenger ___________________________ Sierra Britton Doctor & Messenger ________________________________ Carrie Powers Senior Captain ____________________________________ Renee Humrich Warriors _______________ Jenna Sanders, Myriah Gasa, Kelly Machiniak PRODUCTION TEAM Technical Director _____________________________________ Tom Davis Production Assistant _____________________________Cheryl Whitehead Stage Manager ______________________________________ Emily Cupp* Stage Manager __________________________________ Jonathan Smalley Light Board Operator ______________________ Matthew Warmuskerken Sound Board Operator _____________________________ Breanna Lebrun Box Office Manager _________________________________Sandi Williams Publicity _________________________________________ Thomas Hawley There will be one ten-minute intermission. Reproduction of this performance, either through flash photography, audio or video recording, is strictly prohibited. Please turn off all cell phones and pagers. te Celebra dness the ma c si and mu one, of the y… the onl Saturda y April 14 8 pm roucho! G Ludingt on Peterso ’s Auditor n ium Tickets: 4 845-334 du re.e westsho Award-winning actor/director/playwright Frank Ferrante recreates his PBS, New York and London acclaimed portrayal of legendary comedian Groucho Marx in 90 minutes of fast-paced hilarity. Featuring the best of Groucho’s one-liners, anecdotes and songs, like “Hooray for Captain Spalding,” and “Lydia, the Tattooed Lady.” A show for all ages! Sponsored p in part by *Denotes Performing Arts Scholarship recipient. 2 15 �aren’t immortal, and will die a physical shell of your former self. Could Lear have actually been a gender-bent Elizabeth, as well as the precursor of an aged James? Possibly. If so, perhaps we are returning Lear, as Queen Lear, to something verging upon her rightful role. The point of Lear has been debated for hundreds of years: is it simply a lesson in pride going before a fall, of the debasement of royal power through selfishness? Or is Lear Everyman, and does our fate, in confronting the twin trials of aging and inheritance, become Lear’s and Gloucester’s fate: the betrayal of the “thankless child” and the abandonment of a maddened parent (driven mad, or plagued with dementia?) to the cold wilderness? We hope our interpretation might shed some little light upon these old questions. In our version, we ask: what if Lear is Everywoman, or a mother queen, whose power base is the wisdom and fertility of the female gender, rather than the forceful reasoning and physical prowess of the male? Further, what if the male gender of most of the original characters in the play is reversed, with the exception of the three daughters, Goneril, Regan, and Cordelia, the two husbands, Albany and Cornwall, the two sons, Edgar and Edmund, and the two suitors to Cordelia’s hand in marriage? And so we find ourselves with a tale of mothers, partners, daughters, and sons; and we hope you are affected by what Shakespeare still says to all of us, mothers and fathers, sons and daughters, who listen carefully and with our whole heart. SETTING The play is set in Ancient Celtic Britain, in 180 BC, just at the tipping point when a female warrior, matriarchal society is about to give way to a male-dominated, patriarchal culture. PLAY SYNOPSIS Lear, the aging Queen of Celtic Britain, decides to step down from the throne and divide her kingdom evenly among her three daughters. First, however, she puts her daughters through a test, asking each to tell her how much she loves her. Goneril and Regan, Lear’s older daughters, give their mother flattering answers. But Cordelia, Lear’s youngest and favorite daughter, remains silent, saying that she has no words to describe how much she loves her mother. Lear flies into a rage and disowns Cordelia. The king of Brie, who has courted Cordelia, says that he still wants to marry her even without her land, and she accompanies him to France without her mother’s blessing. Lear quickly learns that she made a bad decision. Goneril and Regan swiftly begin to undermine the little authority that Lear still holds. Unable to believe that her beloved daughters are betraying her, Lear slowly goes insane. She flees her daughters’ houses to wander on a heath during a great thunderstorm, accompanied by her Fool and by Kent, a loyal warrior in disguise. Meanwhile, an elderly noblewoman named Gloucester also experiences family problems. Her illegitimate son, Edmund, tricks her into believing that her legitimate son, Edgar, is trying to kill her. Fleeing the manhunt that his mother has set for him, Edgar disguises himself as a crazy beggar and calls himself “Poor Tom.” Like Lear, he heads out onto the heath. When the loyal Gloucester realizes that Lear’s daughters have turned against their mother, she decides to help Lear in spite of the danger. Regan and her husband, Cornwall, discover her helping Lear, accuse her of treason, blind and scar her, and turn her out to wander the countryside. She ends up being led by her disguised son, Edgar, toward 14 3 �the city of Dover, where Lear has also been brought. In Dover, a French army lands as part of an invasion led by Cordelia in an effort to save her mother. Edmund apparently becomes romantically entangled with both Goneril and Regan, whose husband, Albany, is increasingly sympathetic to Lear’s cause. Goneril and Edmund conspire to kill Albany. The despairing Gloucester tries to commit suicide, but Edgar saves her by pulling the strange trick of leading her off an imaginary cliff. Meanwhile, the Celtic troops reach Dover, and the Celts, led by Edmund, defeat the Cordelia-led French. Lear and Cordelia are captured. In the climactic scene, Edgar duels with and kills Edmund; Goneril poisons Regan out of jealousy over Edmund and then kills herself when her treachery is revealed to Albany; Edmund’s betrayal of Cordelia leads to her needless execution in prison; and Lear finally dies out of grief at Cordelia’s passing. Albany, Edgar, and Kent are left to take care of the country under a cloud of sorrow and regret. Special Thanks Area media; Vic Burwell & Floracraft; James Newkirk; Deb & Dave Laskonis BIOGRAPHIES CHRISTINE PLUMMER (Queen Lear)—Chris says she is happy to return to the WSCC stage once again after performing the role of Flawless Fox in The Wake of the Schooner Westshore, or A Lonely Logger Lass Lost Upon the Sweet Water Sea. Chris has also been seen at WSCC as Maggie in Dancing at Lughnasa, and in the female lead in the Adult After Hours series production of How I Learned to Drive. One of her favorite roles, apart from those she’s played here at WSCC, is that of Meg in Brenden Behan’s The Hostage. She also had the extreme good fortune of playing Josie Hogan in Eugene O’Neil’s Moon for the Misbegotten, which was her MFA Acting thesis performance at Southern Illinois University. On leave from her host union—The Screen Actor’s Guild—Chris is a professional actress with extensive stage, film, and television commercial credits. Her husband claims that she is “the real talent” in the family, and 4 dramaturgy, as she has clearly bitten off more than she can chew.” None of us in the cast would agree at all. Her contribution to this production has been invaluable! PRODUCTION NOTES by Tandy Sturgeon, PhD. Queen Lear, our adaptation of Shakespeare’s King Lear (first performed before James I on Dec. 26, 1606), is set in Celtic Britain in roughly 180 BC, during the waning years of Celtic civilization, and before the Roman patriarchal culture conquers (and/or is absorbed by) the matriarchal Celts. It is a period about which archeologists and historians know relatively little, since the written records, only begun after the Romans invaded, are invariably second- and third-hand. Because Shakespeare, who adopted the Lear tale from Holinshed by way of Geoffrey of Monmouth, intended to locate the play in a ‘barbarous,’ pre-Christian time period, our choice of the Celts is not that much of a stretch. Following as much as possible the language of Shakespeare’s Lear, our story is that of an aging royal person, who decides to divide the kingdom and retire early in the care of three daughters, only to be betrayed and disappointed by two of the three. And as in the original Lear (and many of Shakespeare’s other plays), the story is paired with a sub-plot, the tale of a loyal subject (Gloucester), who is betrayed and disappointed by one of two sons. All unravels, and Lear is left with the remnants of power, the chaos in the universe, and the steadfastness of one loyal daughter’s love to contemplate. As for Gloucester, it is too late to right the wrong she has been tricked into committing against her one loyal son. To use one of the cruelest metaphorical puns in Shakespeare, Gloucester loses both eyes because she cannot “see” the truth. Like Lear, in the end she must look into her heart. There is a teacherly, or didactic quality about this play, as if it is trying to instruct or even warn us about something. But what? It has been supposed that King James might have felt instructed by the play, coming so soon after the defused Gunpowder plot of 1601 and the death of Elizabeth I in 1603: don’t mistake your enemies for allies; don’t underestimate the power of us Catholics; oh, and don’t forget that you 13 �companies and independent producers in addition to work for television, film and photographers. Tom earned an MBA from Western Michigan University, and in addition to his duties in Theater and Performing Arts, Tom teaches Economics here at WSCC. NANCY ANTHONY ESTOLA (Costumer)—Nancy returned to WSCC a few years ago after twenty years away. Originally from Ludington, she obtained a BA in Clothing and Textiles from Central Michigan University. She costumed her first show for WSCC in 1984. In the past four years she has costumed for Oceana Youth Theatre and has also worked for Letha Fulton School of Dance for sixteen years. Nancy was last seen onstage in the hilarious and often poignant musical, Smoke on the Mountain. Nancy was also the costumer for the WSCC hit summer musicals, Some Enchanted Evening, Annie, and The Wake of the Schooner Westshore, or A Lonely Logger Lass Lost Upon the Sweet Water Sea, as well as for past productions of Guys on Ice and Smoke on the Mountain. Nancy is married to Bart Estola and has two teenage children, Evan and Brigette. SHARON STEWARD (Wigs & Makeup)— Sharon first appeared on the WSCC stage in the 1980’s as Marion in Don’t Drink The Water. Since then she has appeared as Clairee in Steel Magnolias, Miriam Ruth in Agnes of God, Quince in A Midsummer Night’s Dream, first Grave Digger in Hamlet, Big Mama in Cat on a Hot Tin Roof, and Madame Parnell in Tartuffe: Born Again. Along with designing hair and makeup and working in many other design/technical capacities, Sharon has also directed The Compleat Wrks of Wm Shkspr, Abridged, Dancing at Lughnasa, Greater Tuna, Jack Tales, and How I Learned to Drive for WSCC. he should know: he met her during one of her seasons with the Illinois Shakespeare Company, where she played Beatrice in Much Ado About Nothing and created what he insists is the definitive performance of Mrs. Malaprop in Sheridan’s comic classic The Rivals. Chris is the Drama advisor at Ludington High school and can be heard on Oldies 101.5, Monday-Saturday, 2-7 pm. KATHLEEN DILLON (Cordelia)—Kathleen is 17, a Manistee High School senior, and a WSCC dual-enrolled student. She has been in many productions at WSCC, the Ramsdell, and her high school, but this is her first try at serious, Shakespearian acting. In the fall, she plans on attending WSCC full-time, pursuing an English major. She would like to thank Dr. Plummer for always pushing her and her Dad for all of his support. NATALIE GIGANTE (Kent)—Natalie hails from Dallas, TX where she landed her first professional acting job at the Dallas Children’s Theatre. After four years with DCT she and her husband Phil moved to Chicago and spent twelve years working on Chicago stages and forming their own theatre company, Gigantic Productions/Little Giant Productions which the couple relocated to Ludington in 2004. Eight years ago Natalie landed her biggest role to date…”Mommy” and left the stage to care for her two boys Preston and Ryland. Natalie is thrilled to make her comeback on the WSCC stage performing the work of the master playwright William Shakespeare. She would like to thank her adoring husband Phil for his constant love and support. CYNTHIA MAGUIRE (Gloucester)—Cynthia began her acting Woodstock, New York, and Los Angeles, California. Both of her parents were writers. Tandy received her BA in Literature, from Bard College, spent a year abroad at the University of York, England, before receiving her MA in Writing, at Colorado University - Boulder. She holds a PhD in English (Poetry in English), from the University of Wisconsin-Madison. Dr. Sturgeon has published poetry and critical/reference essays, and has taught writing and literature at the above institutions, as well as at Idaho State University, Hebei University, in China, and at the University of Montana, Missoula. She claims to be an early retired frivolous bon vivant and poetaster, and she writes that “this is evidently her first attempt at career with the Farmington, MI Players at age 16. Following a degree in Speech & Theatre from the University of Michigan and graduate work at the Yale Drama School, she did summer stock, children’s musical repertory at the Charles Playhouse in Boston, and toured with the Carriage House Players in Louisville, bringing Shakespeare to Appalachia! She was in Hansel & Gretel at the Provincetown Playhouse in Greenwich Village, NY and worked as an extra on Another World on NBC for several days. In Ludington, she has performed with the Lake Forest Performing Arts Dinner Theatre, has played Lady Capulet in Romeo & Juliet and Lee Ann in A Piece of My Heart at WSCC, and was in Talking With at the People’s Church. Now retired from advertising agency work as a Media professional, she is the Deputy Clerk/Treasurer for the 12 5 TANDY STURGEON (Dramaturge)—Dr. Sturgeon grew up in �Village of Pentwater. Speaking as an actor, Cynthia feels this adaptation of one of Shakespeare’s most difficult plays is a wonderful way to stretch all of the actor’s “muscles”… voice, body and mind. CODY HODGES (Edgar)—Cody is a recent graduate of Mason County Central High School and is a performing Arts Scholarship student at WSCC. In the past, Cody has been in Beauty and the Beast, Snoopy, Smoke on the Mountain, Footloose, To Kill a Mocking Bird, and many other plays. Cody loves to be on stage and hopes to make a career of it. Last summer, Cody played Big Chicago in The Wake of the Schooner Westshore, or A Lonely Logger Lass Lost Upon the Sweet Water Sea. Cody was seen most recently in the hilarious fall production of The Compleat Wrks of Wm Shkspr, Abridged. MATTHEW DUTTON (Edmund)—Matthew is a Ludington native and 2002 graduate of Ludington High School. He has been seen onstage in WSCC productions of It’s a Wonderful Life and Damn Yankees. He is a 2004 graduate of the American Musical and Dramatic Academy in NYC, where he performed in their off-off-Broadway musical and drama graduation showcases. Shortly after graduation, he was in The Scarlet Pimpernel and Jesus Christ Superstar, with Phoenix Productions. He was also seen as the Lord High Underling in The Wiz and in Disney’s Aida, in which he was understudy for Mereb and in the male ensemble, covering nine different characters. Matt was also cast in Julie Taymor’s film Across the Universe, which will be released by Columbia Pictures this fall. Matt is completing his A.A. degree at WSCC as a Performing Arts scholarship student, and is looking forward to pursuing a B.F.A. in musical theater. MARGRETTA DUMAS (Regan)—Margretta has appeared in several West Shore productions—most recently as Agnes in Dancing at Lughnasa. Some of her favorite roles at West Shore include Jenny in Chapter Two and Kate in Sylvia. Other area performances have included Faith Healer at Bohemian Productions and Cemetery Club and Steel Magnolias at Lake Forest Dinner Theater. She also appeared as Kate in the Grand Rapids Production of Sylvia. When Margretta isn’t doing theater you will find her at Lindsay’s Furniture. “It’s been very rewarding working with such a talented group of actors, including my husband John, who with each new acting experience, inspires me more and more.” 6 KELLY MACHINIAK (Warrior)— Kelly Jo is a Mason County Eastern junior and is pleased to be making her acting debut at the Center Stage Theater as one of Queen Lear’s warrior/attendants. Kelly is an aspiring young artist and writer, and is always up for trying new things. She says “This has been a great experience… and I will defiantly be doing it again. Something about being on stage is freeing for me. For a moment, I’m not myself; I get to play this whole other person. For a while I can forget all my problems… and just get lost in the story. This particular story moves me; I have a lot of empathy for the relationship between Queen Lear and Cordelia. Also, everyone on the cast is wonderful… I’ve made a lot of friends and learned a lot about acting, theater and all the hard work that goes into a production like this.” She would like to thank her mother, who has pushed her forward in this adventure. Also she’d like to thank Alan Harris, who plays Brie and is soon to become her stepfather, for being involved in this with her. Also, she would like to thank her friends and boyfriend, for supporting her in this. RICK PLUMMER (Adaptation, Director)—Rick has directed over 150 productions and played as many roles in a twenty-eight year career as a professional actor, director, and theater educator. Rick’s acting and directing credits include stock, tour, television, outdoor historical drama, dinner theater, Shakespeare festival, university and community theater. Directing assignments include Fiddler on the Roof, Much Ado About Nothing, To Kill A Mockingbird, The Music Man, Grease, and others at WSCC; elsewhere he has directed Bent (starring Keil Martin from Hill Street Blues), a university production of Our Town (which was selected as an alternate finalist in the national American College Theater Festival), and the world-premiere of a musical he co-authored based on the life of Hans Christian Andersen—As Long As the Cuckoo Sings! among many others. He can be seen on tour around the country in his own one-man play, Live From the Front: Byline Ernie Pyle. THOMAS DAVIS (Scenic/Lighting Designer & Tech Director)— Tom has enjoyed a 30 year career in the theater and related performing arts. After graduating from the University of Wisconsin-Green Bay, he worked for several years as a set designer for a Chicago area television production company and then went on to form Stagecraft, Incorporated. With Stagecraft, he built sets for many prominent Chicago Theater 11 �master, costumer, and backstage coordinator for The Compleat Wrks of Wm Shkspr, Abridged—and her other current project is beginning the ninth season of co-producing and directing the MCC Middle School’s Performance Showcase group of plays with her ‘other half’ Greg Kjolhede, (something she looks forward to all year). She feels fortunate to have been asked to join the cast last month, (to replace another actor—get well soon, Nancy!) and is very happy to work with so many talented folks again, and meet some wonderful new ones! RENEE HUMRICH (Senior Captain)—Renee returns to Ludington from ventures which took her north to Alaska and south to the US Virgin Islands. She returns to the theater and her enjoyment of performing again in this production. After debuting on the stage of Peterson Auditorium in the 80’s in the wonderful stage musicals Wizard of Oz and Dames at Sea, and the moving drama The Miracle Worker, Renee was involved in community theatre in Leelanau County including the lead in A Place Where We Can Go, the musical written for Northport’s Sesquicentennial celebration. “I love the point during rehearsing for a production when something clicks and you become your character—that is when the production becomes real to me and I can’t wait for opening night!” Renee lives in Ludington with her husband and daughter where she is building a home and works as an agent with Carriage House Real Estate. JOHN GERTS (Duke of Cornwall)—John touched lightly on Shakespeare in The Compleat Wrks of Wm Shkspr, Abridged in the fall. Other roles on Center Stage at West Shore include Gooper in Cat on a Hot Tin Roof, Manager in Damn Yankees and Greg in Sylvia. Queen Lear marks a fourth rendezvous on stage with his wife, Margretta Dumas. “Sharing my life with Margretta both on and off the stage is a daily delight and honor,” says John. “I have looked forward to working with many of these Lear actors since experiencing their strong performances in the Ludington production of Talking With.” KATHY HANSEN (Goneril)— Kathy is a recently retired English teacher from Mason County Central, where she taught Shakespeare for more years than she cares to admit. She has been involved in numerous West Shore Performing Arts productions over the years. She played Desdemona in Othello, Mae in Cat on a Hot Tin Roof and Mrs. Frank in The Diary of Ann Frank. She was involved in the AAUW production of Alice in Wonderland and Sharon Steward’s production of Talking With. The role which had the most impact on her was without a doubt that of Sissie in A Piece of My Heart, a tribute to the nurses who served in the Vietnam War. She feels honored to have the opportunity to play the role of Goneril, who is considered by many to be one of Shakespeare’s greatest female villains. Now that she is retired, she looks forward to being able to devote more time to theater in her future. JENNA SANDERS (Warrior)—Jenna is a freshman at WSCC CHARLES DILLON (Albany)—Chuck has appeared a number studying art and design and lives in Ludington with her husband Bryan and their pitbull Willie. She has been seen onstage at WSCC in It’s a Wonderful Life and worked lights for Annie. Jenna has also performed in Joseph and the Amazing Technicolor Dreamcoat, You’re a Good Man Charlie Brown, Pippi Longstocking, and Story Theatre at Ludington High School. Jenna was also the lighting designer for Guys and Dolls and School House Rock at LHS. of times on the West Shore stage, most recently as FDR in the College’s production of Annie. Last summer he played the Russian constable in the Ramdell’s production of Fiddler on the Roof. He particularly enjoys performing with one or both of his daughters. Lear has been great, Chuck says, because it combines working with Kathleen, a wonderful cast and crew, and the very talented Rick Plummer. MYRIAH GASA (Warrior)—Myriah was seen this summer as Little Lucy Ludington in The Wake of the Schooner Westshore, or A Lonely Logger Lass Lost Upon the Sweet Water Sea. She has also been seen on many a stage in Indiana, where she was in productions of Beauty and the Beast as Papa, Fiddler on the Roof, as Tzietel, and The Secret Garden, as Mrs. Winthrop. Right now Myriah is attending WSCC and planning on majoring in Vocal Performance. 10 DEE PAYMENT (Fool)—Dee started her career with Dance training at the Detroit Conservatory of Music and performed as a dancer/singer with the Matt Gouze Tamburitzans, touring the Midwest and performing at the Top Hat Supper Club in Windsor, Ontario. She also danced/ sang the lead in Chiara, at the Detroit Art Institute. Dee received her undergraduate degree in Theatre and her teaching certificate, at Mercy College of Detroit. While there, she performed the leads in Bernstein’s Wonderful Town, The Bohemian Girl, and Cinderella. In the summer of her 7 �senior year she did an internship in Manistee at the Ramsdell Theatre, playing Julie in Carousel, Sally in The Tavern, Julie in Write Me a Murder. Dee’s post graduate work at Wayne State University included the role of Luisa in the Fantastiks and direction of No Exit. Away from the University, Dee performed the role of Amahl in Menotti’s opera Amahl and the Night Visitors with the St. Bede’s Players and Yum Yum in Gilbert and Sullivan’s The Mikado. Dee taught Theatre and English at Rosary High School, and directed plays that won first place 5 years in a row at the National Theatre Conference Competition in Detroit. She also taught at Roeper City and Country School for the Gifted and directed many plays there. After moving to Ludington, Dee taught at WSCC and directed One Flew Over the Cuckoo’s Nest, Carnival, The Sunshine Boys, You Can’t Take It With You, Equus and other plays. Dee also served on the Manistee Civic Theatre Board of Directors, performed Rosa Bella in The Most Happy Fella, Sister Amnesia in Nunsense I and II, the Witch in Into the Woods, directed numerous plays. With Lake Forest Performing Arts, she played Mildred in Squabbles, was solo vocalist in Cole Porter’s Anything Goes Review, played Mildred in The Cemetery Club, and wrote the lyrics for an original musical comedy. While teaching at Pentwater Public Schools Dee directed many school plays and musicals, and taught drama, English and French. Dee retired in 2003 and has been away from theatre for awhile, but is now thoroughly enjoying the role of the Fool in WSCC’s current production. Dee’s other interests include travel, (Dee and her husband Pat are planning a trip to France in the fall), gardening, skiing, reading, photography, and family fun. Dee has two children, Meaghan, who just had a baby in Dec. (first grandbaby) and Sean, who is financial director for the Red Cross in Kalamazoo, and is on the Kalamazoo City Council. She’s a member of Madrigals (16th century singers), and is a realtor with 3 Lakes Realty. REBECCA PARMENTIER (Oswalda)—Returning to Irons after a very adventurous tour in the U.S. Army Band, Becky is excited to be back doing what she enjoys best… acting! Becky was seen this past summer in The Wake of the Schooner Westshore, or A Lonely Logger Lass Lost Upon the Sweet Water Sea. AL HARRIS (King Brie)—Al is a native of Battle Creek, Michigan, and a 1985 graduate of Bellaire High School in Bellaire, Michigan. He is the oldest of five, a father of three children and grandfather to one 8 granddaughter. A veteran of the U.S. Coast Guard and Ludington Fire Department, Al is pursuing a Bachelor Degree in Business. Al was last seen this summer as Chief Ottawa in The Wake of the Schooner Westshore, or A Lonely Logger Lass Lost Upon the Sweet Water Sea. As an accomplished writer of prose and poetry, Al takes his love of expression to the stage. He is making his second appearance onstage as King of Brie in this adaptation of Shakespeare’s King Lear. Al is taking advantage of Ferris’ degree program at WSCC and will be a familiar face on campus for many years, and many plays to come. Watch for him! ELLIOT PLUMMER (Prince of Celtica)—This is Elliot’s second performance at WSCC, having played Mac Enawe in this summer’s The Wake of the Schooner Westshore, or A Lonely Logger Lass Lost Upon the Sweet Water Sea. Elliot is a freshman at LHS, where he is a trombonist in the Orioles’ marching and jazz bands and where he has been onstage in LHS Drama Club productions of Twain by the Tale and Seussical. His favorite leisure time activities include music, gaming, and graphic arts. SIERRA BRITTON (Warrior & Curan)—Sierra is a WSCC student and is returning to the stage after a five year hiatus. She is extremely excited to be in her very first WSCC production, and says she is greatly inspired by the talent of the cast. Sierra has performed in Grease and Music Man at MCC. Her other extracurricular activities include ballet and reading. CARRIE POWERS (Priestess & Doctor)—Carrie has been seen “trodding the boards” on the WSCC stage since shortly after moving to Ludington in 1989. Her roles here have included: Truvey in Steel Magnolias; Mary Tyrone in A Long Day’s Journey into Night; Kate in Brighton Beach Memoirs; Leonatta in Much Ado About Nothing; Hipollyta in A Midsummer’s Night Dream; Wolf Moon Dance in Escanaba in da Moonlight; and Rose in Dancing at Lughnasa, among others. She has been involved “backstage” on more shows than she can remember, as technical support; assistant director; props; and most often costuming, (some of her favorite costume endeavors were Much Ado…, Music Man, To Kill a Mockingbird, Escanaba…, Romeo & Juliet, Enemy of the People, Pirates of Penzance, Lost in Yonkers, and Greater Tuna). She was also involved for several years with the Lake Forest Performing Arts Company dinner theater group, as well as other local independant productions. Her last project at WSCC. was as assistant director, prop 9 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WS4000 Source A related resource from which the described resource is derived 3-2007QueenLear Title A name given to the resource Sierra Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available West Shore Community College Subject The topic of the resource Queen Lear Performance March 2007 Performance https://wsccarchives.org/files/original/37b1752e2ecc9abd9971ab2c911d79d5.jpg 4433c9ec7dc76060538eacb943fa985b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Media Description An account of the resource Photos, slides, negatives, audio clips, and other media. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WS4001 Source A related resource from which the described resource is derived Annieproduction-July2004 Title A name given to the resource MVC-001X(12) Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available West Shore Community College Subject The topic of the resource Annie Performance 2004 Performance https://wsccarchives.org/files/original/f1191835d53783c1f5391b73d8d07ead.jpg f170ffb6a00e830022e1dd195035b360 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Media Description An account of the resource Photos, slides, negatives, audio clips, and other media. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 600dpi Original Format The type of object, such as painting, sculpture, paper, photo, and additional data CD-ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WS4002 Source A related resource from which the described resource is derived Annieproduction-July2004 Title A name given to the resource MVC-001X(19) Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Publisher An entity responsible for making the resource available West Shore Community College Subject The topic of the resource Annie Performance 2004 Performance